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The Peace Emblem of the Olympic Movement

 


Olympic Summer Games
Emblems

 


Emblem
Details
1932 Los Angeles

1932 Los Angeles

This is the first time It in the history of the Olympic Summer Games and emblem is used by the Olympic Organizing Committee. It is composed of the American flag presented in the form of arms, accompanied in the foreground by the Olympic rings, the Olympic motto "Citius, Altius, Fortius" (faster, higher, stronger) and a laurel branch, symbol of victory.

1936 Berlin
1936 Berlin

The emblem was created purely by chance. An artist, Johannes Boehland, started by designing an emblem containing the five Olympic rings with a superimposed eagle and the Brandenburg Gate, one of the symbols of the city. However, the President of the Games Organizing Committee, Dr Lewald, was not satisfied with this composition and took the initiative to open the bottom part of the emblem, which turned the design into a bell. Although it was purely by chance that it was created, the symbolism of this figure was immediately recognized. On the side of the bell is the inscription “Ich rufe die Jugend der Welt!” (I call the youth of the world). The artist was commissioned to continue designing the emblem on this theme. The definitive emblem was thus composed of the Olympic bell on which can be found the Olympic rings with the German eagle superimposed. As well as the Olympic rings, flame and oath, the bell became one of the strong and omnipresent symbols of the Berlin Games.
1948 London

1948 London

This emblem is composed of the clock tower of the Houses of Parliament. The hands of the famous "Big Ben" are pointing to 4 o'clock, the time at which the opening of the Games was planned. In the foreground, the Olympic rings. The Games Organizing Committee wanted a typically English emblem. One that would have significance not only for the generation of that time but for future generations as well.

1952 Helsinki
1952 Helsinki

The emblem was composed of the tower of the stadium with the Olympic rings at the top. It was worn as a badge by the dignitaries and VIP guests at the Games.
1956 Melbourne/Stockholm

1956 Melbourne/Stockholm

The emblem for these Olympic Games is composed of a drawing of Australia, with a torch and Olympic rings superimposed. In the bottom half, the inscription "MELBOURNE 1956", extended on each side by laurel branches.

1960 Rome
1960 Rome

The emblem of these Olympic Summer Games is made up of the Olympic rings above a Roman she-wolf from which Remus and Romulus are suckling. They are the twin brothers who, according to legend, founded the city of Rome. Between them is the date, 1960, written in roman numerals.
1964 Tokyo
1964 Tokyo

It is composed of the Olympic rings superimposed on the emblem of the Japanese national flag, representing the rising sun. Having examined a large number of proposals, the Games Organizing Committee chose the design submitted by Yusaku Kamekura which was subsequently accepted as the official emblem of the Games.
1968 Mexico
1968 Mexico

The Summer Games emblem is a combination of the five Olympic rings and the year. The design came from the collaboration of three artists: Pedro Ramirez Vazquez, architect and President of the Organizing Committee for the Games, Eduardo Terrazas (Mexico) and Lance Wyman (USA). It recalls the patterns of the Huichole Indians.
1972 Munchen
1972 Munchen

It represents a crown of rays of light, a design symbolizing the spirit of the Munich Games: light, freshness, generosity, expressed by the design “Radiant Munich”. It was created by Otl Aicher, the designer and director of the visual conception commission. His project was chosen in spite of a competition whose 2.332 entries were unsatisfactory.
1976 Montreal
1976 Montreal

The emblem is made up of the Olympic rings mounted on an Olympic podium which is also the graphic interpretation of the letter M, the initial of Montreal. In the centre, the athletics track, the focal point of the Games. This emblem invokes the universal fraternity offered by the Olympic Ideal as well as the glory of the winners, the gallant spirit of their battles and the accession of Montreal to the rank of Olympic city.
1980 Moscow
1980 Moscow

The official emblem was created by Vladimir Arsentyev. Above the Olympic rings there are parallel lines in the shape of a pyramid and a five pointed star which serves as a reminder of the flag of the Kremlin.
1984 Los Angeles
1984 Los Angeles

The star is a universal symbol of the highest aspirations of mankind, the horizontal bars portray the speed with which the contestants pursue the excellence while the repetition of the star shape connotes the spirit of competition between equally outstanding physical forms. The symbol colors - blue, white and red - were in part chosen for their traditional significance in the awarding of prizes for first, second and third place.
1988 Seoul
1988 Seoul

The Seoul emblem features a samtaeguk pattern. A samtaeguk is a traditional Korean pattern and visual image which represents Korea. This pattern is widely used as decoration on fans, gates of Korean-style homes, artifacts, and folk crafts. The Olympic emblem features patterns in two forms, centripetal and centrifugal; the centripetal motion represented the people of the world coming together in Korea, thus symbolizing worldwide harmony, while the centrifugal motion represented a march onward in search of man’s lasting happiness and prosperity.
1992 Barcelona
1992 Barcelona

The official emblem, designed by Josep Maria Trias from Barcelona, depicted a dynamic human figure in a stance that suggested someone jumping an obstacle which consisted of the five Olympic rings and the simple, gestual lines reduced the characterization of the figure to the head (in the blue of the Mediterranean), the arms (the yellow of the sun and wide open in sign of hospitality) and the legs (a vivid red).
1996 Atlanta
1996 Atlanta

The base of the torch, made of the five Rings and the number 100, resembles a classical Greek column and recognizes the centennial of the Games. The torch's flames gradually evolve into a perfect star symbolizing each athlete's pursuit of excellence. The gold color in this logo represents gold medals. The green represents laurel branches worn by winners in ancient times, as well as Atlanta's reputation as the City of Trees.
2000 Sydney
2000 Sydney

The emblem represents the figure of an athlete, using typically Australian shapes and colors. The boomerangs and suggestions of sun and rocks together with the colors of the harbor, beaches and red interior, invoke the unique Australian landscape and its original inhabitants. The flash which transforms the silhouette of Sydney Opera House into a trail of smoke from an Olympic torch recalls the emblem of Sydney’s Olympic candidature.
2004 Athens
2004 Athens

The 2004 Olympic Games emblem is a wreath made from an olive tree branch or kotinos. The emblem is a reference to the ancient Olympic Games where the kotinos was the official award of Olympic champions. In addition, the olive was the sacred tree of Athens. The colors of the emblem symbolize the shades of white and blue found in the Greek countryside.
2008 Beijing

2008 Beijing

The official emblem of Beijing 2008 entitled "Chinese Seal-Dancing Beijing" cleverly combines the Chinese seal and the art of calligraphy with sporting features transforming the elements into a human figure running forward and embracing triumph. The figure resembles the Chinese character "Jing", which stands for the name of the host city and represents a particularly significant Chinese style. The artwork embodies four messages: • Chinese culture • the color of red China • Beijing welcomes friends from all over the world • to challenge the extreme, achieve perfection and promote the Olympic motto of "Citius, Altius, Fortius" (faster, higher, stronger).

2012 London

2012 London

The London 2012 emblem combines the power of the Olympic rings and the city of London together. The emblem is the number 2012. It is universal and understandable worldwide. The emblem is simple, distinct, bold and buzzing with energy. Its form is inclusive yet consistent and has incredible flexibility to encourage access and participation. It can communicate with anyone from commercial organisations to kids playing sport. It feels young in spirit, full of confidence, certainty and opportunity, not afraid to shake things up, to challenge the accepted, to change things. For the first time, the Olympic and Paralympic Games will be part of the same brand family.

Credit: IOC/Olympic Museum Collections

Also see the Olympic Winter Games Emblems

  

 
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  OLYMPIC EMBLEMS
  SUMMER GAMES EMBLEMS
    Winter Games emblems
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  INTERNATIONAL OLYMPIC
  COMMITTEE (IOC)
  HELLENIC OLYMPIC COMMIT-
  TEE (HOC)
  OLYMPIC WINTER GAMES
  TORINO 2006
  OLYMPIC SUMMER GAMES New
  BEIJING 2008
  OLYMPIC WINTER GAMES
  VANCOUVER 2010
  OLYMPIC SUMMER GAMES
  LONDON 2012
  OLYMPIC MEDALS
  OLYMPIC MASCOTS New
  OLYMPIC TORCHES
  OLYMPIC POSTERS
  OLYMPIC GAMES FACTS
  OLYMPIC FACTS PER CITY
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