The most complete informaton guide about Athens, Greece
Boy
love in ancient Athens
Boy love (pederasty)
in Athens was a formal bond between an adult man, outside his
immediate family, and an adolescent boy, consisting of loving
and often sexual relations. As an erotic and educational custom
it was employed by the upper class as a means of teaching the
young and conveying to them important cultural values such as
bravery and restraint.
Athenian
society generally encouraged the erastes to pursue a boy to love,
tolerating excesses like sleeping on the youth's stoop and otherwise
going to great lengths to make him noticed. At the same time,
the boy and his family were expected to put up resistance and
not give in too easily. Boys who succumbed too readily were looked
down upon. As a result, the quest for a desirable eromenos was
fiercely competitive.
History
The
founder of this Athenian tradition was said to be the lawgiver
Solon who also composed poetry praising the love of boys. One
fragment survives in which he praises a "boy in the lovely
flower of youth, desiring his thighs and sweet mouth.". In
Athens, the lover was known as the erastes, and his young partner
as the eromenos or paidika.
A
great deal of modern knowledge about Athenian boy love practices
has been derived from ceramic paintings on vases depicting
various forms and aspects of the relationship. These vases
were produced largely between 550 and 470 BC after which they
either went out of fashion or were replaced with vases of
precious metal which have not survived. While formerly the
age of the depicted youths were thought of to be in the range
from 12 to 14, they are now believed to range in age from
14 to 18.
Practice
The
Athenian tradition of boy love was more freely constructed than
the more formal Cretan and Spartan tradition. Men courted boys
at the palaestra
(wrestling school), the gymnasia (the school where competitors
in the public games received their training as well as a place
for socializing and engaging in intellectual pursuits), at the
baths and on the streets of the city. Fathers wanting to protect
their sons from unwanted advances provided them with a slave guard,
known as pedagogos, to escort the boy in his travels.
The
erotic and sexual aspect of the relationship, usually consisting
of embracing, fondling and intercrural sex, ended when the youth
reached adulthood, and evolved into a lifelong friendship. Intercrural
sex, also known as interfemoral sex, is a type of non-penetrative
sex, in which one partner places his penis between the other partner's
thighs. Penetrative sex was considered demeaning to the receiving
partner.
A
modern line of thought holds that the young boys did not reciprocate
the love and desire of the older one and that the relationship
was based on a sexual domination of the younger by the older.
Law
A
number of laws addressed the issue of relations between men and
boys. None but citizens could engage free boys in pederastic relationships.
The boys, on the other hand, were forbidden from selling their
favors, on pain of losing most of their rights as citizens once
they came to adulthood. One surviving piece of Greek speech, documents
a legal case, against Timarchos, in which Aeschines pleads to
enforce precisely that law against his opponent.
In
order to prevent teachers from taking advantage of their charges,
a law was passed forbidding them from opening their schools
before dawn or staying open past sunset. Likewise, there was
a law threatening any man under forty who trespassed onto
school grounds with death.
Politics
Pederastic
couples were traditionally credited with standing up against tyrants.
In Athens, Harmodius and his erastes, Aristogeiton, were credited
(perhaps symbolically) with the overthrow of the tyrant Hippias
and the establishment of the democracy. Cratinus and Aristodemus
were another pair of pederastic heroes. They sacrificed their
lives to propitiate offended deities when a plague had fallen
on Athens.
The
role of erastes was so far valued by the Athenians that even
Pericles, a man who seems to have abstained from relationships
with boys and loved women deeply, used the model of the erastes
as an example for Athenians to follow in their relationship
with their own city. In a funeral speech ascribed to him by
Thucydides, he encourages the Athenians to "gaze day
after day on the p ower of the city and become her erastai
(lovers).
Morals
It
was proper for the lover to respect the authority of the boy's
father. According to Xenophon, "Nothing of what concerns
the boy is kept hidden from the father by a noble lover.".
While it was expected that during courtship the lover would offer
his boy small gifts (typically fighting cocks or edible delicacies),
giving or receiving money or substantial gifts was considered
disreputable in Athens and many other places, if not all. Apparently
the boy could also send gifts to his man. An anecdote describes
the jealous rage of Xanthippe, Socrates' wife, who destroys a
cake sent by Alcibiades, seeing it as a "present sent by
an eromenos to his erastes to reinforce his passion."
Late
fifth century Athenians began to question the sexual aspect of
the relationship. Plato laid out an ethical hierarchy setting
the highest value on erotic love relationships between men and
boys which stopped short of physical consummation, followed by
relations which were both loving and sexual. Relations which were
sexual but not loving were considered profane and not beneficial
Though
the love of boys was freely practiced by the aristocracy,
it remained a source of mirth for the common people, and a
topic that often was used by the comedians. In a parody of
Ganymede riding on the back of Zeus in eagle form in “Peace”,
Aristophones has his character ride to Olympus on the back
of a dung beetle, a pun on anal sex.
Famous lovers
Aechines
Louvre - Paris
Alcibiades
Replica of a Greek original of the 4th century BC
Aristides
Demosthenes
Braccio Nuovo, Vatican Rome
Harmodius
and Aristogiton
Museio Archeologico - Napoli
Solon
Sophocles
Themistocles
Museo Ostiense - Ostia
Zephyros
and Hyakinthos
Attic red-figure vase 480 BC
Museum of Fine Arts Boston